Conferences

“The Spectator’s Position in Contemporary Essay Films: Reflecting on the Emancipated Spectator.” International Conference: Ethics and Spectatorship in Film and Screen Media. Cork, Ireland, 29th-30th November 2025.

“Women’s Essay Film in Francophone Europe: Exploring the Audiovisual Thinking Process.” Cine Bárbaras. I International Conference on Cinema and Audivisual. Porto, Portugal, 23th-24 Octuber 2025.

“Problematizing the Visualization of Migration Images to Reflect onMigrants’ Dehumanization.” The IN BETWEEN Conference 2025: Permeable Walls and Insurmountable Barriers. Trieste, Italy. 27th-29th August 2025.

«Problematizing Migration Images for Visibilization.» The NECS 2025 Conference: Discovering/Uncovering: Navigating the Complexities of Screen Media. 18th-21st June 2025.

«Jean-Luc Godard Diptychs: Rethinking Cinema through the Essay Film.» XIV AIME International Conference, 28th-30th May 2025.

«Orlando, My Political Biography: (Re)Centering transgender identity from a non-binary perspective.» Visible Evidence XXX: Decentering Documentary. New Visions and Perspectives. Monash University. 17th-20th December 2024.

«Ethics and Aesthetics of Contemporary Film Discourseson Illegal Migration and Refugees» ECREA 2024 – Communication and Social (dis)order – 10th European Communication Conference. University of Ljubljiana, Slovenia. 24th.27th Spempter 2024.

«The Feminist Struggle for Abortion Rights in France: From women’s emergency to militant cinema (1973-1980).» The NECS 2024 Conference: Media in an Unpredictable World. Izmir, Turley. 27th-29th June 2024.

“JLG/JLG, autoportrait de décembre. The essay film and the self-portrait device as an intermedial reflection on authorship and the creative process.” Internation Conference: Intermedial Connections: Impurity in the Arts. 7th Conference Narrative, Media and Cognition. Lisbon, Polytechnic Institute, Theatre and Film School. 8th–10th May 2024.

“Sharing the Non-Gaze. Ailleurs, partout (Isabelle Ingold, Vivianne Perelmuter, 2020). The mediated encounter as problematisation of aesthetics and politics of globalisation. International Conference: Share/Partager. Everyday Aesthetics & Collective Gestures. Université Paris 1 Panthéon-Sorbonne. 25th-27th Januar 2024.

«Affective Intermediality in Women’s Epistolary Cinema.» International Conference: Affective Intermediality. Sapientia Hungarian University of Transylvania, Cluj-Napoca, Centre for Cinematic Intermediality and Visual Culture, 20th-21st October 2023.

“Vincent Dieutre’s Essay Films. Reflecting on Contemporaneity through Self-Representation.” International Conference: Personal Perspective and Essayistic Form in Nonfiction Film and Art. Lithuanian Culture Research Institute. Vilnius. 22nd-23st September 2023

«The Mediated Encounter as Audiovisual Reflection on Ethics and Politics of Globalisation.” International Conference: Visible Evidence XXIX. Documentary Ecologies. University of Udine. 6th-9th September 2023.

« Du collectif féministe au cinéma militant : libérer la pratique filmique » AFECCAV 2023. International Conference AFFECAV 2023 Collectifs, bandes et collaborations dans le cinéma et l’audiovisuel. Université de Toulouse-Jean Jaurès. 28th-30th June 2023

«La presenncia del aborto en el cine francés. Del activismo feminista al cine militante». International Workshop: On són les dones embarassades? Reflexions sobre un fals tabú en el cinema i les altres arts. Facultat de Lletres- Universitat de Girona. 16th December 2022.

«The Spectator’s Position as Epistemic Space for the Essay Film.» NECS 2022 International Conference: Epistemic Media: Atlas, Archive, Network. European Network for Cinema and Media Studies. Bucharest. 22nd-26th June 2022.

“La pensée critique dans le film-essai francophone : entre cinéaste et spectateur.trice.” International Conference: The Essay Film as Critical Thinking. Institut ACTE. Université Paris 1 Panthéon Sorbonne. 9th-10th June 2022.

“Between Level Five and Zapping Zone. The de/construction of the audiovisual thinking process.” International Conference: From the Scenic Essay to the Essay-Exhibition. Expanding the Essay Form in Arts. S:PAM – Studies in Performing Arts and Media. Ghent University. 27th-29th April 2022.

“European Francophone Essay Film and Cinema Movements and Practices.” International Conference: EuroMedia2021. The European Conference on Media, Communication & Film. The UCL Institute of Education. London 22nd-24th July 2021.

“La sensation dans le film-essai: la filmer, la créer, la réfléchir.” International Seminar: Filmer la sensation. Institut ACTE – Université Paris 1 Panthéon-Sorbonne. 17th June 2021.

“Correspondências by Rita Azevedo. About a Contemporary Epistolary Cinema.” International Conference: Saudade de Conversar Contigo – 100 years of Sophia de Mello and Jorge de Sena. University of Nottingham. 13th-14th December 2019.

“La figura del cineasta en la autoficción cinematográfica francesa contemporánea” ARLYC International Seminar: L’art dans le réel et la fiction ultra contemporaine”. Complutense University of Madrid. 22nd November 2019.

“Correspondências de Rita Azevedo. De la correspondencia epistolar y la creación poética al cine contemporáneo”. V International Conference CIHALPCEP Historia Arte y Literatura en el cine en español y en portugués. Universityof Salamanca. 26th-28th June 2019.

“Penny Dreadful. Sincretismo mítico, serialidad y posmodernidad”. V International Conference on Mythcriticism: Myth and audiovisual creation. Complutense University of Madrid, University of Alcalá, Autonomous University of Madrid. 15th-26th October 2018.

“Dispositivos de enunciación del film-ensayo”. International Seminar: “Ensayo audiovisual” Complutense University of Madrid. 7th-8th March 2018

“Autoficción literaria, cine y autoría femenina. De las escritoras a las cineastas”, International meeting “La irrupción de la imagen en la narrativa contemporánea (III)”. Complutense University of Madrid. 25th-27th October 2017.

“Le filmeur: la filmación como experiencia de la realidad. Alain Cavalier y Joseph Morder”, IX Congreso internacional de análisis textual: “¿Qué es el cine? University of Valladolid. 18th-21st October 2017.

“Agatha et les lectures illimitées de Marguerite Duras. El texto literario y su (irre)presentación fílmica”, International meeting “La irrupción de la imagen en la narrativa contemporánea (II)”. Complutense University of Madrid. 14th-16th October 2015.

“La revolución digital: en busca de la Modernidad perdida”, International Conference Hispanic Cinemas: “In transition: Historical, Political, and Cultural Changes in Cinema and Television” / ”En transición: Cambios históricos, políticos y culturales en el cine y la televisión”. University Carlos III of Madrid. 7th- 10th November 2012.

“Aurélia Steiner de Marguerite Duras. Fusión artística y deconstrucción narrativa”, International meeting “La irrupción de la imagen en la narrativa contemporánea (I)”. Complutense University of Madrid. 23th-25th November 2011.

“Lisboa Story de Win Wenders. El descubrimiento de la ciudad como metáfora del arte cinematográfico. A la búsqueda se sus identidades”. International Conference: “Ciudades reales y ciudades imaginarias en la literatura y las artes”. Complutense University of Madrid. 5th-9th May 2008.

“Bleu de Krzysztof Kieslowski. El tacto suspendido”, International Seminar “Viaje al mundo de los sentidos en la Literatura y las Artes”. Complutense University of Madrid. 22nd-27th May 2006.